Having grown
up at the seaside, I’ve always loved those stirring lines from John Masefield’s
poem ‘Sea Fever’: “I must go down to the seas again, to the lonely sea and the
sky,/And all I ask is a tall ship and a star to steer her by”. And I knew, from later reading, that he had
spoken at the Morris centenary celebrations in 1934. Recently I came across Muriel Spark’s
assertion, in her book on Masefield, that “Morris has been the formative
influence ... on Masefield’s view of life”, and it’s been interesting to track
that influence through in the Poet Laureate’s lively letters to his American
friend Florence Lamont.
In July 1918
he is recommending Morris’s Icelandic translations to her: “How are the sagas
shaping? Do you still think of the
Volsunge? There is a quite lovely tale
in the 3 N Love tales. I think it’s
called Frithiof the Bold”. In January
1924 he narrates a visit to the White Horse Hill, to which May Morris herself was
in those years making annual pilgrimages. The place was in flames as the locals burnt
off the grass, and Masefield reflects that “the burning of the grass is part of
some old religion, which that strange hill created & cannot let die. There is something holy and uncanny about all
that strip of Down”.
On 6
November 1930 he drives via Morris’s beloved Great Coxwell Barn to Kelmscott
itself: ‘I have been over to the grave of Morris … & tonight I shall read
some of his poetry again. It makes one
wonder: what would my life have been without him? Supposing I had never had that influence, nor
had those particular thrills, & special luring into special ways?” Then four years later, he offers Florence
Lamont his thoughts on the centenary itself: “We drove over to Exeter College,
& ate & drank in his memory, & then I gave the speech in the
College Hall … Miss M was there, but not Miss Lobb … I had the feeling that he
was conscious of our thought of him & perhaps saw the bright side of our
intentions”.
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