‘Thames
Water’ – could there be a more stirring phrase to any William Morris
enthusiast? Kelmscott House in London
looks out upon the Thames, Kelmscott Manor in Oxfordshire sits close to it too;
the wonderful upriver trip between those two places constitutes the utopian
narrative core of News from Nowhere,
just as it had been the basis of Morris’s own family holidays in 1880 and 1881. The
Thames tributaries mattered greatly to him too: those memorable designs based
on them at once come to mind, some of the most beautiful and enigmatic that
Morris ever came up with, and he set up his Merton Abbey works on one of them,
the Wandle. To Morris and his male cronies,
the Thames was a river to fish as well as to row upon. Mackail notes that he and F.S. Ellis ‘had
fished over most of the river between Windsor and Richmond’, and in later years
he would often escape from political and business pressures in London to pull
gudgeon, pike and perch out of the Thames at Kelmscott.
In our own
time, however, Thames Water is the name of an international capitalist
conglomerate which has just been fined £20,000,000 for polluting the river and
its tributaries on a near-unimaginable scale.
In 2013 and 2014 it released some 1.4 billion litres of raw sewage into
the river, causing vast destruction of fish stocks and environmental
degradation. Were these just accidental
discharges, or rather systematic policy on the company’s part? Well, the huge scale of them suggests to me the
latter rather than the former, as does as the massive fine which Judge Francis
Sheridan imposed on the company, in a prosecution brought by the Enviroment
Agency. One of the great joys for
William Guest as he arrives in Morris’s utopia is that salmon have returned to
the Thames, but it wouldn’t have surprised the author, who was a hard-headed
realist as well as utopian thinker, that with international capital still
running the show his beloved river should be – in the most literal and disgusting
manner– full of shit.
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