In his 1976
essay on ‘The Revision of News from
Nowhere’ across its different textual manifestations, J. Alex Macdonald
offers us a tiny but intriguing revisionary detail. In the 1890 Commonweal version of the early morning meadow at Runnymede, Ellen
does not have a basket; in the 1891 Reeves and Turner book version, she
suddenly does: ‘that was Ellen, holding a basket in her hand’ (ch.XXIII). Why, then, does Morris add a basket to this
character and, more intriguingly, what might be in it?
Baskets and
the mystery of what they may contain are indeed something of a minor motif in
the revisions of News from Nowhere;
for in the road-mending episode (also not in the Commonweal version), William Guest spots ‘a good big basket that
had hints about it of cold pie and wine’ (ch.VII). Macdonald’s own explanation of Ellen’s new
basket is modest enough: ‘the addition of it is a small touch which brings
Ellen more clearly into view. Among
utopian novels News from Nowhere is
almost unique in its loving attention to detail, especially of landscape and
architecture’ (12).
Fair enough;
but then, almost any other daily object might have served the same
purpose. The interesting thing about
baskets, surely, is that they contain things, and not only cold pies. To my mind, the most striking fact we learn
about Ellen in the course of the book is that she has been a pupil of old
Hammond’s; so I am going to wager that her new basket is full of the sage of
Bloomsbury’s writings about the history – and even perhaps the future - of
Nowhere which she has taken out into the fields for a spot of plein air study before the rest of the Runnymede
household wakes up.
1 comment:
Tony, are you not missing - or perhaps wilfully avoiding - the rather obvious sexual symbolism here? I.e. Ellen's basket is her receptive orifice and what William Guest/Morris would really like to put inside it is himself (or an important bit of himself) - never mind cold pies!
Post a Comment