There is
always something striking and unpredictable about teaching an undergraduate utopias
course. What has astonished me over the
last couple of years is that students have enjoyed Edward Bellamy’s Looking Backward (1888), which I’ve
always found a grindingly dull read because of its placid, gentlemanly and systematic
social exposition; and they have been deeply troubled by Joanna Russ’s The Female Man (1975), which I had
assumed that they would find exhilaratingly disorientating in contrast. Disorientated, yes; but exhilarated, certainly
not! One member of last year’s seminar
even admitted that he’d been reduced to consulting the Wikipedia
plot summary for the novel.
So I suppose
we need some aspects of Tom Moylan’s definition of a ‘critical utopia’ in place
before I send my trusty band of readers to wrestle with Russ this year. There are three key dimensions here, it seems
to me. First, far from a visitor from
the bad old world visiting utopia, we have a visitor from utopia, Janet Evason
of Whileaway, visiting the bad old contemporary world, i.e., the traffic runs
the other way round. We therefore learn
much more about the bad old world than we do in the classical utopias, and the
visitor has some sort of politico-narrative mission there. In fact, in The Female Man, there are actually two contemporary realities – one
being the author’s own, the ‘Joanna-reality’, the other a slightly
dystopianised present belonging to Jeannine Dadier. The third aspect of Moylan’s definition is
that critical utopias are unusually formally self-conscious, hence
disorientating; I don’t suppose anyone will disagree that that’s the case with Russ’s
book.
There is, however, one final narrative and political twist in The Female Man which Moylan’s generic concept does not allow for; and this is the fact that Janet Evason’s mission to the present, and indeed Whileaway itself, are both disturbingly undercut by what we might term the ‘Jael-reality’ of the text. I don’t want to say too much about that – after all, some readerly surprises should be left somewhere in this weird and wonderful book. May this year’s group do better with it than last year’s!